Minimax H3 Recast: New Faces on Your Finished Footage
Supply an edited clip plus one portrait per new performer. Minimax H3 Recast carries over the acting, timing and audio while replacing who appears on screen.
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Minimax H3 Recast

Replace the performers in a finished clip with your own portraits — Minimax H3 Recast preserves every cut, camera move and audio track.

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Minimax H3 Recast: Built for Cast Changes on Locked Edits

It works on footage that is already locked: the cut, the performances and the soundtrack stay put, and only the identities of the people on screen are replaced.

  • Cast changes applied to locked footage
    Hand the tool a video you have already edited along with reference portraits, and it replaces the on-screen faces rather than generating a new clip from scratch.
  • Consistent identities across every cut
    Match the order of your portraits to where each performer sits on screen, and that pairing survives the jumps between shots.
  • Every performance beat stays as filmed
    Glances, pauses, expressions, set lighting and camera movement all come from the original clip; only faces and clothing are drawn from your uploads.

Using Minimax H3 Recast in Three Steps

Three short steps are all it takes to give an edited clip a brand-new cast using Minimax H3 Recast.

Core Capabilities of Minimax H3 Recast

What sets this cast-replacement engine apart: the performance, cutting rhythm, sound and framing all remain exactly as they were captured.

Four performers, mapped left to right

You can bring in as many as four portraits, and each one claims a leading role in the order you arrange, staying with that character through every shot they appear in.

Prompt control over casting order

A written instruction lets you reassign which portrait becomes which performer, overriding the default screen-order mapping whenever your footage needs a different match.

Performances preserved, faces replaced

No part of the acting is regenerated: turns, beats, expressions, lighting and camera motion all originate from your clip, while faces and garments arrive from your images.

Editing rhythm and audio kept intact

The pacing of the cut and the track beneath it survive untouched, leaving you with a finished clip wearing a new cast instead of a rebuild from zero.

Low-cost 768p checks, 1080p delivery

A quick low-resolution pass verifies the match before you commit to full-resolution output, and pricing scales with the length of your clip.

Hair and clothing come from the reference

If your upload frames more than a face, the hairstyle and garments travel with it — half-body framing transfers them far more reliably than a tight head crop.

FAQ

Minimax H3 Recast: Frequently Asked Questions

Answers to the questions people ask most about cast replacement in Minimax H3 Recast.

1

What exactly does Minimax H3 Recast do?

It performs cast substitution rather than video generation: the portraits you supply take the place of people already in your footage, while movement, framing, edits and audio all remain from the original.

2

What length should my source clip be?

Between 5 and 30 seconds, with every individual shot under 15 seconds. Split longer takes before uploading, because the result is returned at the same length you supplied.

3

How many performers can be replaced, and in which order?

Up to four, each with its own portrait. The tool maps them to the leads in screen order by default, so arrange uploads accordingly — or change the assignment with a written instruction.

4

Which reference photos give the best results?

One sharp, well-lit, front-facing portrait per person. Half-body framing carries hair and clothing across more faithfully than a tight head crop. Avoid sunglasses, hats, hidden faces, group photos, heavy filters and blurry images.

5

Is 768p or 1080p the right choice?

Start with a low-resolution pass to confirm the pairing, then render the deliverable at 1080p. Since pricing follows clip length, that first pass is the cheapest way to catch a bad match.

6

When is Minimax H3 Recast the wrong choice?

When the footage itself needs to change — different motion, different camera work, a different setting — because all of that comes from your source. Results also weaken with dense crowds, tiny or distant faces, fast movement and objects crossing a face after a hard cut; across long takes, or when someone turns to profile, the likeness can drift back toward the original performer.

Start Using Minimax H3 Recast on Fuser

Give an already-cut, already-scored clip a new cast — the pacing, camera work and audio you captured stay exactly where they are.